Clarinet Multiphonics Notation For Free On The

Ive been thrilled to help her, and at this occasion, I engraved the multiphonics with the correct fingerings: These are split tones, played with regular fingerings.

Low higher harmonic region refer to the amount and relative frequencies of the partials present in the sound, similarly to what Xenakis uses in his composition Charisma.Timbre trill with low F key.

For the high note, it is normal to hear a slight pitch variation, not written here.

Eighth notes are played with regular open fingerings, as indicated.

Have a look at the multiphonics in their original notation: they figure in the music manuscript.

Also, make sure you listen to the live recording of Electroclarinet 1s premiere.

In April 2008, I was invited by composers Eric Chasalow and Maxwell Dulaney to give a 2-day seminar on spectral sound processing techniques at Brandeis University Music Department.

A topic the music students particularly enjoyed was the frozen sound, the audio equivalent of the cinematic freeze frame shot.

I taught the nuts and bold of the real-time stochastic spectral freeze technique (the stochastic component is aimed at breaking the ice - with the audience).

On this video, discover 5 variations on a MaxMSPJitter freeze tool: Downloads Note: the Max patches available here have been completely revamped since this article video were initially published.

New Spectral Freeze Max MSP Jitter patches (link updated Nov.

There are many ways to achieve audio time stretching without transposition.

Some time-based methods build on Pierre Schaefer s Phonogne.

In this case, the audio samples are converted to spectral data through a Fast Fourier Transform (FFT).

Before introducing the Max for Live device Spectral Stretch, lets have a look at a selection of four possible algorithms: Paulstretch Max Live Phase Vocoder Interpolation between recorded spectra Stochastic Re-synthesis from a recorded sonogram Paulstretch Pauls Extreme Sound Stretch, also known as Paulstretch, is an algorithm designed by Paul Nasca for extreme time stretching.

When I discovered electronic music during the Centre Acanthes 2000Ircam, my favorite topic was real time sound processing in frequency domain.

Hans Tutschku taught the wonders of AudioSculpt in Avignon, before Benjamin Thigpen taught MaxMSP in Helsinki.

Now, the Computer Music Journal just published an article I wrote about spectral sound processing in real time and performance time ( whereas real-time treatments are applied on a live sound stream, performance-time treatments are transformations of sound files that are generated during a performance ).

If you are interested in graphical sound synthesis, phase vocoder, and sonograms (or spectrograms), I hope you will enjoy this tutorial.

Clarinet Multiphonics Notation For Free On The

The great news is that you can download the article for free on the page of the Computer Music Journal, Issue 32, Volume 3.

MaxMSPJitter patches You can readily apply the described techniques in the development environment MaxMSPJitter.